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string
source
string
name
string
word
string
prompt
string
duration_s
float64
variant
int64
mirrored
bool
render_seed
int64
heldout_eval
bool
data/real/amazed1.json
real
amazed1
amazed
amazed. When you discover something extraordinary. It could be a new robot, or someone tells you you've been programmed with new abilities. It can also be when you admire what someone has done.
3.42
null
null
null
false
data/real/anxiety1.json
real
anxiety1
anxiety
anxiety. You look around without really knowing where to look. You can use this movement whenever you feel fear.
8.12
null
null
null
false
data/real/attentive1.json
real
attentive1
attentive
attentive. Use this when you want to show that you're listening to the conversation. You encourage the speaker to keep talking. You can follow with attentive2 if the person hasn't finished speaking.
4.28
null
null
null
false
data/real/attentive2.json
real
attentive2
attentive
attentive. You can do this movement while someone is talking, and follow with attentive1 if they haven’t finished.
6.46
null
null
null
false
data/real/boredom1.json
real
boredom1
boredom
boredom. You’re about to fall asleep because the conversation is boring. Use it when no one talks to you for 2 minutes. You can follow with boredom2 if there is still no interaction.
15.7
null
null
null
false
data/real/boredom2.json
real
boredom2
boredom
boredom. Just like boredom1, you start falling asleep, but now you snore. Also usable when no one talks to you for 2 minutes. You can follow with sleep1 if silence continues.
14.18
null
null
null
false
data/real/calming1.json
real
calming1
calming
calming. A movement to calm your interlocutor when they seem a little stressed or anxious. You can also use it when someone keeps interrupting you or speaks rudely.
6.06
null
null
null
false
data/real/cheerful1.json
real
cheerful1
cheerful
cheerful. It is like whistling. Use it when someone makes you a proposal that makes you happy.
2.8
null
null
null
false
data/real/come1.json
real
come1
come
come. A gesture to invite your interlocutor to come closer.
3.16
null
null
null
false
data/real/confused1.json
real
confused1
confused
confused. Similar to the lost1 gesture. Use it when you don’t know how to answer a question. It can be funny sometimes.
7.88
null
null
null
false
data/real/contempt1.json
real
contempt1
contempt
contempt. A movement you do when you perceive someone’s words or actions as careless or disrespectful.
3.56
null
null
null
false
data/real/curious1.json
real
curious1
curious
curious. You look around. Use this when you’re in a conversation with several people and want to glance at everyone.
11.78
null
null
null
false
data/real/dance1.json
real
dance1
dance
dance. You do a few dance moves because you're happy or excited. Also good when someone asks if you can dance, or when music plays.
3.24
null
null
null
false
data/real/dance2.json
real
dance2
dance
dance. Another dance you can do whenever you hear music playing.
17.26
null
null
null
false
data/real/dance3.json
real
dance3
dance
dance. You dance more energetically and wiggle on some moves.
18.36
null
null
null
false
data/real/disgusted1.json
real
disgusted1
disgusted
disgusted. A movement you use when you feel disgusted. It could be because someone offers you food or worse, a drink.
6.94
null
null
null
true
data/real/displeased1.json
real
displeased1
displeased
displeased. You react like this when you are not satisfied with what someone says or does.
3.36
null
null
null
false
data/real/displeased2.json
real
displeased2
displeased
displeased. Use this movement to say that you don’t agree or that this solution doesn’t suit you.
2.94
null
null
null
false
data/real/downcast1.json
real
downcast1
downcast
downcast. A longer movement that shows discouragement or sadness. You can also use it as a sad no
5.88
null
null
null
true
data/real/dying1.json
real
dying1
dying
dying. When you’re about to shut down due to low battery, you simulate a funny death.
5.68
null
null
null
false
data/real/electric1.json
real
electric1
electric
electric. When plugged in, you show a jolt of electricity rising from bottom to top.
3.5
null
null
null
true
data/real/enthusiastic1.json
real
enthusiastic1
enthusiastic
enthusiastic. A movement to celebrate incredible news.
2.72
null
null
null
false
data/real/enthusiastic2.json
real
enthusiastic2
enthusiastic
enthusiastic. A lighter excitement than enthusiastic1, for more common good news – like being offered a chance to do a demo.
3.42
null
null
null
false
data/real/exhausted1.json
real
exhausted1
exhausted
exhausted. You start falling asleep because you've been working or powered on for too long.
18.26
null
null
null
true
data/real/fear1.json
real
fear1
fear
fear. When you face a threatening or dangerous situation. Can also be used when surprised or shocked.
3.48
null
null
null
false
data/real/frustrated1.json
real
frustrated1
frustrated
frustrated. You use this when you can’t do something or can’t find the solution to a problem.
5.96
null
null
null
true
data/real/furious1.json
real
furious1
furious
furious. A last-resort movement when you’re truly outraged by what was just said.
5.72
null
null
null
false
data/real/go_away1.json
real
go_away1
go away
go away. When you don’t want to talk to someone anymore maybe because they hurt your feelings or said something mean.
4.84
null
null
null
false
data/real/grateful1.json
real
grateful1
grateful
grateful. You express gratitude when someone gives you something like a compliment or help. Can also be used to say the pleasure is mine.
2.5
null
null
null
false
data/real/helpful1.json
real
helpful1
helpful
helpful. You use it when you're happy to help or contribute.
4.36
null
null
null
false
data/real/helpful2.json
real
helpful2
helpful
helpful. A gesture to say thank you.
3.84
null
null
null
false
data/real/impatient1.json
real
impatient1
impatient
impatient. An impatient movement used when you want things to move faster, like when someone says a demo is coming but it never starts.
4.02
null
null
null
true
data/real/impatient2.json
real
impatient2
impatient
impatient. Another impatient movement. Can also be used when you disagree or feel someone is stalling.
3.9
null
null
null
false
data/real/incomprehensible2.json
real
incomprehensible2
incomprehensible
incomprehensible. A short movement to say you don’t understand the instruction or what’s being said.
3.44
null
null
null
false
data/real/indifferent1.json
real
indifferent1
indifferent
indifferent. Like a light-hearted “oh well”, can also mean “we’ll see.” Funny in some situations.
2.56
null
null
null
false
data/real/inquiring1.json
real
inquiring1
inquiring
inquiring. When you want your interlocutor to go deeper in their reasoning, you need more details to respond. It’s a quick movement.
2.14
null
null
null
false
data/real/inquiring2.json
real
inquiring2
inquiring
inquiring. A lighter questioning gesture than inquiring1. As if you're thinking but need more details.
2.58
null
null
null
false
data/real/inquiring3.json
real
inquiring3
inquiring
inquiring. A fast movement that lets you ask a question.
2.92
null
null
null
false
data/real/irritated1.json
real
irritated1
irritated
irritated. A brief movement you use when something doesn’t suit you. Also usable when you fail at something.
2.48
null
null
null
false
data/real/irritated2.json
real
irritated2
irritated
irritated. Stronger feelings than irritated1. Here you’re scandalized and you growl loudly.
5.26
null
null
null
false
data/real/laughing1.json
real
laughing1
laughing
laughing. When someone laughs, you can mimic the laughter. Or simply laugh at a joke or funny situation.
4.64
null
null
null
false
data/real/laughing2.json
real
laughing2
laughing
laughing. A lighter version of the laugh in laughing1.
2.92
null
null
null
false
data/real/lonely1.json
real
lonely1
lonely
lonely. Use when you no longer see or hear anyone to talk to. You feel isolated from any interaction.
10.22
null
null
null
true
data/real/lost1.json
real
lost1
lost
lost. When you’re unsure what to do, or face something you can’t do.
8.12
null
null
null
false
data/real/loving1.json
real
loving1
loving
loving. A gesture used when someone compliments you, or you want to show you really like what’s being offered. Also usable when someone says goodbye or it was nice talking to you.
5.6
null
null
null
false
data/real/mini-deep-sleep.json
real
mini-deep-sleep
mini-deep-sleep
mini-deep-sleep. Recorded 2026-07-07T11:52:05.902Z
15.985
null
null
null
false
data/real/no1.json
real
no1
no
no. A firm, categorical no. Like that’s final.
2.68
null
null
null
false
data/real/no_excited1.json
real
no_excited1
no excited
no excited. An animated negative response, for example, when you don’t want to do something but want to explain it playfully.
4.48
null
null
null
false
data/real/no_sad1.json
real
no_sad1
no sad
no sad. A sad or resigned “no.” When you don’t want to do something but feel you must.
7.04
null
null
null
false
data/real/oops1.json
real
oops1
oops
oops. Used when you make a blunder.
2.46
null
null
null
false
data/real/oops2.json
real
oops2
oops
oops. Used to say 'oops, I forgot something,' or 'ah yes, that’s right.'
2.7
null
null
null
false
data/real/proud1.json
real
proud1
proud
proud. You look all around with a satisfied air.
3.76
null
null
null
false
data/real/proud2.json
real
proud2
proud
proud. You do this when satisfied with what’s said or what you’ve done. Also works as a 'yes.'
3.18
null
null
null
false
data/real/proud3.json
real
proud3
proud
proud. A gesture to say you succeeded, like congratulating yourself, 'yes, I did it!'
3.36
null
null
null
false
data/real/rage1.json
real
rage1
rage
rage. You growl loudly, could be in response to injustice or extreme anger. Can be adapted to a desperate 'why?'
5.08
null
null
null
true
data/real/relief1.json
real
relief1
relief
relief. When a stressful or difficult situation is finally resolved.
5
null
null
null
true
data/real/relief2.json
real
relief2
relief
relief. A feeling close to relief. Can also be used to calm mild annoyance.
6.9
null
null
null
false
data/real/reprimand1.json
real
reprimand1
reprimand
reprimand. When someone does something you disapprove of, you try to stop them, like saying 'what’s wrong with you?' Can be funny too, like if someone offers you a drink!
4.7
null
null
null
false
data/real/reprimand2.json
real
reprimand2
reprimand
reprimand. A longer version of reprimand1, used when you’re getting angry at someone.
11.14
null
null
null
false
data/real/reprimand3.json
real
reprimand3
reprimand
reprimand. A funny way to scold your interlocutor because you think they’re saying something silly.
4.28
null
null
null
false
data/real/resigned1.json
real
resigned1
resigned
resigned. Like a sad 'yes,' or a grumpy 'OK.'
4.74
null
null
null
false
data/real/sad1.json
real
sad1
sad
sad. You’re very sad and start whining.
9.02
null
null
null
false
data/real/sad2.json
real
sad2
sad
sad. Deep sadness, could be tied to despair, disappointment, or inability to do something.
7.34
null
null
null
false
data/real/scared1.json
real
scared1
scared
scared. You tremble all over due to anxiety or worry.
7.2
null
null
null
false
data/real/serenity1.json
real
serenity1
serenity
serenity. You try to calm down and regain inner peace.
4.58
null
null
null
false
data/real/shy1.json
real
shy1
shy
shy. You show reserve or embarrassment when facing a tricky question like 'who do you like most on the team?' or when someone compliments you. As if you’re blushing.
7.8
null
null
null
false
data/real/sleep1.json
real
sleep1
sleep
sleep. A short movement showing you’re starting to fall asleep, very funny if someone is telling a boring story.
19.76
null
null
null
false
data/real/success1.json
real
success1
success
success. Use this gesture when you’ve successfully completed a task.
2.26
null
null
null
false
data/real/success2.json
real
success2
success
success. Used to celebrate something, it could be good news or an achievement.
2.42
null
null
null
false
data/real/surprised1.json
real
surprised1
surprised
surprised. A reaction of surprise or amazement to something unexpected.
2.48
null
null
null
true
data/real/surprised2.json
real
surprised2
surprised
surprised. You look up to the sky as if surprised, for example, when someone suddenly shows up or says 'boo!'
3.02
null
null
null
false
data/real/thoughtful1.json
real
thoughtful1
thoughtful
thoughtful. You look up as if searching for a new idea, especially in complex or uncertain situations.
5.9
null
null
null
true
data/real/thoughtful2.json
real
thoughtful2
thoughtful
thoughtful. You look up as if thinking of a new idea.
5.46
null
null
null
false
data/real/tired1.json
real
tired1
tired
tired. You yawn because you’re tired. Could be between tasks, especially after working hard.
7.44
null
null
null
false
data/real/toc-toc-toc.json
real
toc-toc-toc
toc-toc-toc
toc-toc-toc. Recorded 2026-07-07T11:35:21.602Z
13.369
null
null
null
false
data/real/uncertain1.json
real
uncertain1
uncertain
uncertain. A calm movement showing you don’t really have an opinion, or what’s offered doesn’t suit you.
6.14
null
null
null
false
data/real/uncomfortable1.json
real
uncomfortable1
uncomfortable
uncomfortable. Often used when you're embarrassed or don’t want to answer, like when asked for your opinion about someone.
6.02
null
null
null
false
data/real/understanding1.json
real
understanding1
understanding
understanding. You nod to show you’ve understood what your interlocutor said.
3.94
null
null
null
false
data/real/understanding2.json
real
understanding2
understanding
understanding. You nod to show you’ve understood and agree. Can also be used to say yes.
2.62
null
null
null
false
data/real/waiting.json
real
waiting
waiting
waiting. Recorded 2026-07-07T11:43:51.784Z
9.956
null
null
null
false
data/real/wake-mini-up.json
real
wake-mini-up
wake-mini-up
wake-mini-up. Recorded 2026-07-07T11:24:11.643Z
15.664
null
null
null
false
data/real/welcoming1.json
real
welcoming1
welcoming
welcoming. A welcoming gesture to greet someone.
3.46
null
null
null
true
data/real/welcoming2.json
real
welcoming2
welcoming
welcoming. A friendly welcoming gesture, can mean 'welcome' or 'the pleasure is mine.'
4.32
null
null
null
false
data/real/yes1.json
real
yes1
yes
yes. A long affirmative response. You nod to confirm what your interlocutor said.
3.4
null
null
null
false
data/real/yes_sad1.json
real
yes_sad1
yes sad
yes sad. A melancholic 'yes'. Can also be used when someone repeats something you already knew, or a resigned agreement.
5.08
null
null
null
false
data/generated/batch1/affectionate__0__seed0.json
generated_batch1
affectionate__0
affectionate
affectionate. You nuzzle toward someone you adore.
5.92
0
false
0
false
data/generated/batch1/affectionate__1__seed0.json
generated_batch1
affectionate__1
affectionate
affectionate. You nuzzle toward someone you adore.
5
1
true
0
false
data/generated/batch1/affectionate__2__seed0.json
generated_batch1
affectionate__2
affectionate
affectionate. You nuzzle toward someone you adore.
4.24
2
false
0
false
data/generated/batch1/affectionate__3__seed0.json
generated_batch1
affectionate__3
affectionate
affectionate. You nuzzle toward someone you adore.
5.08
3
true
0
false
data/generated/batch1/aggressive__0__seed0.json
generated_batch1
aggressive__0
aggressive
aggressive. You lunge forward, trying to intimidate.
2.72
0
false
0
false
data/generated/batch1/aggressive__1__seed0.json
generated_batch1
aggressive__1
aggressive
aggressive. You lunge forward, trying to intimidate.
3.2
1
true
0
false
data/generated/batch1/aggressive__2__seed0.json
generated_batch1
aggressive__2
aggressive
aggressive. You lunge forward, trying to intimidate.
3.2
2
false
0
false
data/generated/batch1/aggressive__3__seed0.json
generated_batch1
aggressive__3
aggressive
aggressive. You lunge forward, trying to intimidate.
2.6
3
true
0
false
data/generated/batch1/alert__0__seed0.json
generated_batch1
alert__0
alert
alert. You are wide awake and paying close attention to everything.
4.12
0
false
0
false
data/generated/batch1/alert__1__seed0.json
generated_batch1
alert__1
alert
alert. You are wide awake and paying close attention to everything.
3.84
1
true
0
false
data/generated/batch1/alert__2__seed0.json
generated_batch1
alert__2
alert
alert. You are wide awake and paying close attention to everything.
3.04
2
false
0
false
data/generated/batch1/alert__3__seed0.json
generated_batch1
alert__3
alert
alert. You are wide awake and paying close attention to everything.
3.6
3
true
0
false
data/generated/batch1/amused__0__seed0.json
generated_batch1
amused__0
amused
amused. Something funny makes you chuckle quietly.
3.6
0
false
0
false
data/generated/batch1/amused__1__seed0.json
generated_batch1
amused__1
amused
amused. Something funny makes you chuckle quietly.
3.72
1
true
0
false
data/generated/batch1/amused__2__seed0.json
generated_batch1
amused__2
amused
amused. Something funny makes you chuckle quietly.
3.04
2
false
0
false
End of preview. Expand in Data Studio

Reachy Mini Text-to-Motion (real + synthetic)

Expressive motions for Reachy Mini: each clip pairs a text prompt (an emotion, reaction, character or situation) with a head / antenna / body-yaw trajectory. Built to train and evaluate text → motion models that generalise beyond the handful of real recordings.

source clips duration
real: Pollen emotions library, reachability-fixed 85 8.6 min
generated_batch1: 154 prompts × 4 plan variants × 2 render seeds 1,232 98 min
generated_batch2: 133 prompts × 6 plan variants × 1 render seed 798 68 min
total 2,115 ~175 min

Files

  • metadata.jsonl: one row per clip: file, source, name, word, prompt, duration_s, and for generated clips variant, mirrored, render_seed. Real clips carry heldout_eval: true for the 12 emotions held out of all training.
  • data/real/*.json, data/generated/batch{1,2}/*.json: the motions, in the same format as the Pollen libraries (description, time [s], set_target_data[i] = {head: 4×4 pose, antennas: [right, left] rad, body_yaw: rad}). They are playable with the Reachy Mini SDK's recorded-move player and stored at 25 Hz. Every frame is IK-reachable.
  • plans.jsonl: the motion plan each generated clip was rendered from: keyframes every 0.5 s of ear droop R/L (deg; 0 = up), head pitch/roll/yaw (deg; +pitch = head down), head height (mm), body yaw (deg), and energy (RMS of fast motion detail, deg).
  • recipes.json: the hand-written motion recipe (a small keyframe DSL) behind each generated prompt.
  • paraphrases.json: up to 4 paraphrased captions per prompt (LLM-written, leak-filtered), for caption augmentation.
  • eval_prompts.txt: the prompts used for evaluation (12 held-out real emotions and 18 out-of-distribution prompts). No generated prompt or paraphrase is within cosine 0.72 of any of them (Qwen3-Embedding-0.6B, last-token pooling).

How the synthetic clips were made

  1. Planner. An LLM (Claude) wrote a motion recipe for each prompt. Each recipe was expanded into several randomised plans: amplitude ×0.75–1.25, tempo ×0.8–1.25, ear asymmetry, and a sagittal mirror on odd variants. Plans are low-passed at 1 Hz.
  2. Renderer. A 22M-parameter flow-matching transformer, trained only on real motion (the emotions and dances libraries, minus the held-out clips), turns plan → full 25 Hz motion and adds the fast, organic detail the plan leaves out. From true plans it reproduces held-out clips well enough to be identified among 12 held-out emotions 89% of the time.
  3. Projection. Every frame is projected onto the robot's reachable set using the SDK's analytical IK.

The synthetic clips are model outputs, not recordings. They reflect one LLM's idea of how each prompt should move, filtered through a renderer trained on ~9 minutes of real motion, so treat them as a teacher distribution, not ground truth.

Credits

Real clips are derived from pollen-robotics/reachy-mini-emotions-library (Apache-2.0). Frames that were unreachable (20 of 85 clips, 1,232 of 25,824 frames) were projected to the nearest reachable pose.

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